While the song isn't overtly anti-war, recurring themes from the video suggest it has such a theme. The video ends with the two children in normal garb walking up to a large globe, picking the world up and carrying it. ![]() The third thread consists of depression-era black & white clips from slapstick comedies and footage of factory workers. In other shots they march and stagger about dressed in combat fatigues and cavorting in sunglasses and surfer jams. This is interspersed with shots of an interracial pair of young boys engaged in various activities, predominantly picking toy weapons of war out of a shopping cart and smashing them with hammers on an anvil as news footage is projected on a white backdrop. First straightforward and color negative studio performance of the duo dancing, emoting, and performing along with the song in a bright pop-art style. The video juxtaposes three distinct modes. ![]() I guess some wanted to relate it to sex, and it could be whatever you want it to be, kind of like funk in general.ha ha ha!" Music video Ī music video received heavy airplay on MTV and is credited with greatly adding to the "infectious" song's success. Those that saw the video saw it had kids destroying weapons etc. In other words, don’t let anything stop you from achieving, especially yourself. In actuality, the lyrics contain no sexual content, but rather express disillusionment with aspects of late-20th century politics ("presidential party/No one wants to dance") and a yearning to perfect the human condition ("We need heaven on earth today/We can make a better way").Ĭooper said the titular line is in fact a message of encouragement: "For me, the song simply meant that whatever your goal, dream or vision, you should go all the way to get it. The title, repeated in the chorus, is often misconstrued as being about consummating a sexual relationship. The duo of Gary "Mudbone" Cooper and Michael Camacho's harmonized vocals then come in, punctuated with deadpan "yeah, yeah, yeah"s. ![]() The track begins with synthesizer-processed chanting, with the lines "Simonini" repeating over a recurrent buzzing until drums and a synth-led riff begin.
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